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The rise and rise of Yo Maps

  Yo Maps Originally published in the Zambia Daily Mail  By VICTOR KALALANDA For any ardent follower of Zambian music, there appears to be enough reason to believe that celebrated Zambian artiste Yo Maps (real name, Elton Mulenga) is nothing short of extraordinary. If he was average, as his detractors would desperately have us believe, he wouldn’t have lasted more than six months on the local music scene after releasing his smash hit song “Finally.” He would have disappeared like snow in the summer sun. The unwritten rule in the music industry is that without a decent prior music catalogue, any artiste who happens upon instant fame is destined to become the infamous one-hit wonder. In any cut-throat field of human endeavor, big doors don’t swing on small hinges. The roots must run deeper than outward appearances, or else nothing lasts. For an artiste that keeps exceeding public expectations since rapturously coming to the notice of the nation in 2018, Yo Maps proves that not on

Celebrating African unity in America

 

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The Pilgrim, February 4, 2022*

I had intimated last week that I was going to write about the African Banquet, which took place at my university on Sunday. The column had set a clearly upbeat tone for Zambian nshima, since it was one of the dishes that would be featuring on the menu. With bated breath, I wanted to know what Americans would say after tasting it.

But before I rave or moan and groan about the food, let me describe the event for you. The banquet had attracted a decently diverse audience, which isn’t strange because this is America. I was leading the event as President of the African Students Association and as the first ever Zambian student to ever do so, but there were also three other people of my ilk in the crowd.

We also had Kenyans, Nigerians, Mongolians, Ghanaians, and the Congolese, including black and white Americans, as part of the people that attended what I referred to in my keynote speech as the most flamboyant and ebullient displays of African culture available at my university.

We weren’t promoting a semblance of African unity. It was something that we were practicing and living out last Sunday night. We demonstrated this through a flag show—which included exhibition of the Zambian flag—fashion show, African dance, poems, and solo performances such as singing.

The subject for my keynote speech was obviously African unity, which was the theme of the banquet itself. We deliberately hold the event during Black History Month because it’s probably the best time to articulate African and African American issues in a year.

In the case of the African Banquet, we cannot talk of African unity without the United States of America. In my address I drew attention to the fact that while colonialism persisted on the African continent, some young Africans took long voyages to the United States to obtain the knowledge that would be necessary to liberate the continent. So America served as the crucible in which future African revolutionaries were forged.

An African who exemplified this point perfectly was Kwame Nkrumah, a highly driven Ghanian, who spent 10 years as a penniless student in America. During that decade he morphed into the leading theorist and activist of the African revolution, the father of African nationalism.

Nkrumah couldn’t stand colonialism in his country after he returned home from abroad. Accordingly, Ghana under his leadership became the first African country to gain independence from colonial rule.

The history is as interesting as it sounds, but America is not a stranger to Africa. Its economy benefited a great deal from the millions of Africans that were shipped out of their continent of birth to work as slaves on plantations in USA and Latin America.  

My speech thus pointed out the harmony of hosting an African Banquet at a university in the United States, with a view to celebrate African unity.

Besides, we could clearly see African unity during the event as evidenced by an eclectic mix of Southern, East, and West African music and fashion.

The only way that young Africans raised in different countries could stage such performances together was if cultural divides didn’t matter anymore, and this is what happened.

But the highlight of the event was the food. Like I said, it had to be the moment of truth for nshima. However, my worst fears came to pass. We had African food ranging from jollof rice to mandazi, save for nshima. The only dish that made the menu, done the Zambian way, was the chicken.

But it turned out that I was probably right not to expect much from an American chef, who masqueraded as an authority on African food.

Of course, I had visited the university’s catering services to check on the dishes ahead of the banquet on Sunday. He wouldn’t allow me.

“Can I help out with the cooking?” I asked.

“No,” he said. “Honestly, I don’t need you guys because I’ve already done everything.”

I saw some shiny aluminum foils piled together and at once I assumed they contained nshima. They didn’t.

The conclusion must be that it’s not easy even for professional chefs to cook African foods, especially when trying to do so in silos in a country as far afield as the USA. You need not only the right cooking stick to pull it off, but for an event like a banquet you need to cook lots of it with the right texture and with the right taste.

In this case, the American chef failed and still we’ve to wait for another time in the future to share a typical Zambian dish with the Americans.

*This column is published every Friday in Zambia's best-selling newspaper, the Zambia Daily Mail

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